Monday, March 18, 2013

Review of Short Story THE DIVE BOMBER

THE DIVE BOMBER
(a story that would make a great film)

STORY: An early 20th century test pilot goes up against a shady entrepreneur who wants new planes to fail dive tests so he can call them pleasure crafts & sell them to an enemy country.

MESSAGE: Integrity, persistence, trust, industriousness and love of country win the day. No matter how black it seems, there is a way to fight against evil.

WIN: The pilot stuck to his principles despite personal danger and monetary temptation.
LOSE: The author was a pilot, so you got the authenticity, but there were references to a couple parts of planes that I didn't understand.

EFFECT ON ME: It made me realize that our current culture has grown lax on principles, which I partly ascribe to a lack of education in principles, and also because people get desparate when money gets tight. The story made me more firm in asserting my own principles.



Sincerely,

Rebecca Mate

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Thursday, October 08, 2009

Reviews of Recent Films

Here is a mini-review of films I've seen in the past few months. They are sorted by whether they are spiritually okay versus whether they are destructive.

SPIRITUALLY OKAY
The Soloist (psychiatry doesn't work; helping a person be more and more himself is the best therapy and the most rewarding)
Gamer (good message of quick-thinking and resourcefulness get one out of traps)
Inglorious Bastards (strong intention gets a product despite obstacles)
District 9 (recognition of who are truly one's friends enables one to win in the end)
Surrogates (those who don't put their looks down and those who take responsibility for their actions, no matter how the negative elements in society judge them, win in the end)

SPIRITUALLY DESTRUCTIVE
The Informant (people are basically bad no matter how good they seem)

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Monday, July 13, 2009

Reviews of Recent Films

Here is a mini-review of films I've seen in the past few months. They are sorted by whether they are spiritually okay versus whether they are destructive.

SPIRITUALLY OKAY

G-Force (optimism and pursuing the objective wins the day)
Harry Potter (ingenuity and using our talents wins the day)
Ice Age 3 (good message of we survive better if we stick together)
Transformers (it's such an imaginative idea)
Public Enemy (disregard of property's rightful ownership can be fatal)
Star Trek (honor, reason, courage and thinking outside the box win the day in a pioneer environment)
Up (there's always hope)
Terminator (it is one's heart and soul that determines the man, not his exterior)
Angels and Demons (pursuit of the truth will set you free)
Sunshine Cleaning (persistence and finally choosing one's business partner wisely wins the day)

SPIRITUALLY DESTRUCTIVE
The Proposal (good can come of little infractions of the law, things have a way of working themselves out)
Land of the Lost (we are tossed about in life like a leaf in the wind)

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Wednesday, May 06, 2009

Review of THE SOLOIST

THE SOLOIST

STORY: A "human interest" newsman, who has lost his passion for life, rekindles his passion when he finds a homeless man, a consummate musician, whose aesthetic passion for music transcends his mental condition and social disabilities.

MESSAGE: Passion brings life to living. Pursuing your interests is what makes life fulfilling. Helping others can be done only if they wish it and only if you do it gradually, in a way they can accept the help. Psychiatry is an inexact "science" with its multiple, questionable diagnoses that confuse patients, and with the fact it throws mind-altering drugs at these diagnoses. The alternative to psychiatric labels and meds is giving people permission to be who they are.

WIN: The hero first sees the homeless man as a news story, then invests himself in it and sees a genius who could use a helping hand. The movie made good use of devices that show how the mind works, such as showing that a happy person can become an unhappy person when certain external things trigger deep sleeping neuroses. It had a nice touch (one which I wrote in my film before I saw this one) of relating the elation of the human spirit due to exquisite music to the flight of birds (symbolizing exteriorization of the spirit from the body, you might say, something which often happens when people are elated). The two main actors did really well at accurately portraying the emotional levels of their characters. I met a homeless person once in Glendale who only responded when my friend stopped cheerful communication and changed to "everything is hopeless" communication. The man began chattering on about this and that, similar to the homeless character in the movie. I heard from a policeman on 6th St in Los Angeles that one quarter of the homeless people are failed products of psychiatry, and this gave that credence.

LOSE: The movie portrayed that no more could be done for the musician at the end, who was too far into his world to even perform for audiences. This is false. His insanities are obviously mentally caused and can thus be remedied (not by psychiatry, which has no cures, but by means which actually work). Also, the passion rekindled by the reporter was shown in his love relationship. As a passionate writer, I would have also liked to see his passion for writing, probably his personal stuff, be elevated as well. Aesthetics begets aesthetics, I've found.

EFFECT ON ME: It made me want to nurture my own passions. It made me want to let people know that the working of the mind is no longer a mystery. It made me realize the depth of passion and practice it takes to truly be a master at one's art form.

Sincerely,
Becky Mate
Script Consultant
www.virtueinthearts.com

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Tuesday, February 24, 2009

Reviews of Recent Films

Here is a mini-review of films I've seen in the past few months. They are sorted by whether they are spiritually okay versus whether they are destructive.

SPIRITUALLY OKAY

Slumdog Millionaire (good message of perserverence & honesty)
The International (one man can win despite big odds)
The Curious Case of Benjamin Button (true value isn't skin deep)
The Changeling (one woman can win despite big odds)
The Day the Earth Stood Still (fight back and God will let you win)
Australia (one person can restore human rights)
Flash of Genius (persistence can result in justice)
Sweetzer (my friend is in it)
Eagle Eye (Big Brother can be brought down)
Beverly Hills Chihuahua (small but mighty)
Defiance (an organized free group can survive despite Nazi oppression)
Pride and Glory (honesty must prevail above family ties)


SPIRITUALLY DESTRUCTIVE

Pink Panther (lauds ineptness)
Last Chance Harvey (denies youthfulness to the aging)
Four Christmases (despressing)
Hellboy II (hellish)
Marley and Me (we had a dog.)

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Sunday, June 29, 2008

Review of WANTED

WANTED

STORY: A wimpy accountant, prone to "panic attacks," is drawn into a band of cosmically-sanctioned assasins so that he can rectify the balance in the world.

MESSAGE: There may be more talent and ability within you than you've tapped. Willingness to go in a new direction, willingness to stand up against your enemies, intelligence, commitment, industriousness, toughness, faith, ability to see the truth, ability to exploit an enemy's weaknesses, believing in your own abilities, skill, using communication to gain support, bending the rules for a just cause -- all win the day. Your integrity is more important that your immediate life.

WIN: The hero was able to tap into the inner strengths we all possess. The hero thought his superior abilities were a mental illness, a common misconception in our world of low expectations. He gave up taking psychiatric medicine to cure what wasn't an illness, which would be a good idea in general in society, since all psychiatric labels are false and not based on science. In order to gain the skills he needed, he applied himself industriously to the learning process. It was fitting that those with a heavy-handed approach to correcting bad behavior would be ill-fated. There was a sense, in the movie, of a higher power (called, generically, "Fate.")

LOSE: The ability to bend the path of a bullet, or leap further than humanly possible are spiritual abilities, not abilities coming from genetic predisposition. Beating someone up carries with it the penalty of unwittingly introducing unwanted positive suggestions (like hypnotism, but with pain and threat as the "operator") so a person could just as likely become tough or crazy. The healing baths may have done wonders as to physical healing, but there was no effective mental healing. In other words, if we could beat the coward, or other imperfections, out of people, then our schools would be beat fests -- but that doesn't work in the real world. His handling of his pestering boss and false friend involved anger and violence, when neither of those two would be needed, and they undermined his control, showing a lack of responsibility. The movie says that it is better for society and Mankind that some people be assasinated. Whereas it is true that we should not be bullied, and sometimes a person needs to be put in their place, it is often best that a person (such as in the case of a harping boss) speaks to the boss or changes jobs. Using the bullet as the first offense when other, milder forms of persuasion have not been tried, is inhumane. The other fact that isn't realized is that a person who does harm will begin to limit themself, and will slowly (or quickly) assasinate themself, because on some level they know they are destructive. The movie suggests that a higher power sought heavy-handed justice in order to "restore balance." Our world has imbalance as a necessity to the game of life, and our thrust is not toward "balance" but towards better and better survival. At the end of the movie, the audience is made wrong for not using their untapped powers to do large deeds in the world (this from a guy who murders others); this could have been done more in terms of encouragement to take more responsibility. Disrespect of animals, namely rats. No sense of life beyond death.

EFFECT ON ME: I was offended, as I do seek to better myself and use my talents to better the world. I felt elated and dirty and confused, because vast ability (a good thing) was positioned with murder and destruction (a bad thing). It made me want to be a stronger person who stands up for what I believe, and who stands up to those who try to tear me down.

Sincerely,
Becky Mate
Script Consultant
www.virtueinthearts.com

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Review of MADE OF HONOR

MADE OF HONOR

STORY: A womanizer finally wakes up to the fact that he's in love with his best friend. He wants to marry her, but he's too late; she asks him to be her Maid of Honor. He agrees in an attempt to win her back.

MESSAGE: The true love you seek may be right in front of you. Commitment, marriage and fidelity are worth fighting for. The "rules" bachelors tend to follow are a trap, which prevent one from achieving true happiness. Friendship and rapport and "feeling comfortable as oneself when with another" are all parts of true love. Real, honest communication means more to a relationship than winning manly competitions of strength and endurance, than one's high station in life or than one's vast wealth. It is never too late to right a wrong.WIN: The hero did do the correct steps of deciding that commitment to the girl was the right thing, telling his friends and her; and he did take the job of Maid of Honor and made up for not noticing her by doing a good job. He was active in sports. It is refreshing for a movie to laud fidelity over promiscuity. Sweet moments of friendship were treasured, like sharing each others' cake. (as opposed to some movies that say, "remember that time we got drunk and...")

LOSE: Does size really matter that much, when love is a spiritual bond between two beings? (Fortunately, a small scene.) As dramatic as it may be to pull someone out of their wedding when they're in front of the preacher, there is a lot of destruction in this action -- know the cost of a wedding in terms of time, money and family reputation?

EFFECT ON ME: It made me feel, even more than I do, that my own husband is a special treasure.

Sincerely,
Becky Mate
Script Consultant
www.virtueinthearts.com

Sunday, June 15, 2008

Review of The Incredible Hulk

THE INCREDIBLE HULK
STORY: A scientist seeks to cure himself from a self-inflicted experiment gone wrong before a warmonger can capture him to use his results to make perfect soldiers.
MESSAGE: Facing the problem, studying the problem, persistence, self-control, core values, self-defence and love all win the day.
WIN: A good representation that one must get out from under oppression in order to get anywhere. The hero was very observant and had quick reaction times. In a way, the movie exaggerates those hidden other personalities in us that come out when we're not being ourselves, and it correctly shows that though we attempt to control it, it is only by eliminating the source that we can be free of them. (The source of our monsters is identified, and a solution for getting rid of the source, is outlined in Dianetics: The Modern Science of Mental Health.) There is some truth to the fact that a person can, to some degree, be present, even if acting out. The hero exhibited greatness, in loving someone despite the harm that person has inflicted, or, if not loving, at least letting them live. He sticks to his guns. The hero enlisted the help of religion to make himself stronger, and to proof himself somewhat from his inner demon. Although couched in physical terms (emotion related to a body part, control connected with breathing) there was the sense that one could, through discipline, etc., rise to a point of being in control. (In other words, Man is more than just a stimulus-response animal.) The heroine was amazing at seeing through to the being within, despite the exterior change. She was brave, admiring, loving and helpful. The bad guy was accurately antisocial, in his alliance with destructive things and his distain for others, even his daughter. There was a nice crack about how even though a guy was a top psychiatrist, he was still a nice guy. This acknowledges that most psychiatrists are wierd. He had a small role, but exhibited the typical fallacy of psychiatry that one must tell a person what is wrong with them. The movie correctly showed that a person has to be good to have a lot of power.
LOSE: A drop of the hero's blood ended up in an old man, but we didn't see the result. Other drops ended up in another man, and we saw the result. Were the results different? The movie, in a tiny way, did promote psychiatry by making the psychiatrist a guy who saw positive motives in the hero. In reality, psychiatry does not assume there is goodness and virtue deep within us (that we are spiritual at the core) and psychiatry, as a science, assumes that we are all flawed, and soul-less, base animals at the core. Generally, psychiatry is a tool of anti-social people. In this case, the psychiatrist was against the bad guy, which made the psychiatrist a good guy (a fact salvaged by the earlier statement that this guy was uncharacteristic of the usual psychiatrist.) The Hulk went beyond mere self-defense and created more destruction than was absolutely necessary. The hero did try to take responsibility for fixing his error, but he did originally work to help create the ultimate soldier, which is a fact uncharacteristic of true hero. In other words, with the guilt of that collusion on his head, he may not have been able to be as powerful as he was.
EFFECT ON ME: It restored my faith that people are good at the core, deep down at the spiritual level. It made me want to look for and love that core which is good in people, looking past those additives that appear to make people seem evil.
Sincerely,
Becky Mate
Script Consultant
www.virtueinthearts.com

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Review of ZOHAN

ZOHAN
STORY: An Israeli terrorist feigns death so he can come to America to pursue his dream to be a top hairstylist.
MESSAGE: Love and affinity (between the opposite sexes or between Mankind) transcends nationality, even nations at war. True love and respect is not inhibited by things such as a person's size or age by one who can see beauty in all women. Peace means taking a chance, making the move to get along, regarding those on the other side as friends. The desire for promiscuity fizzles when one discovers one's true love. Competence, persistence towards a goal, unrelenting attack against blocks to a goal, shedding those who counter one's approach to a goal, joining those who help reach a goal, study, passion for a goal, and helping others to reach their goals wins the day. In America, there is freedom to pursue one's goal, and peace between all people living and working together. Love and friendship succeed over hate and war.
WIN: The lead character showed magnificent intention and persistence towards his goal, which is consistent with enthusiam and cheerfulness and action. He solved problems well. His arch enemy showed cowardly traits, such as arrogance, gloating and ill will, those traits which lead to failure. The hero loved his enemy despite what his enemy did to him, a sign of greatness. He was big-hearted in general. Extreme competence gives us real heros.
LOSE: There is a tendency in movies (such as James Bond) to couple promiscuity with bravery, when, in truth, promiscuity is a mix of fear and hidden hostility. This picture those engaging in promiscuity as being happy, when, in real life, promiscuous people are unhappy. Freud's false information is promoted that life's motivation can be boiled down to sex. The extreme exaggeration of fighting and sexual prowess, meant to take the edge off of a serious situation, meant to be humorous, instead irritates audience sensibilities to the point of rejection of the positive messages. The movie also shoots itself in the foot by exaggerting passion for a legitimate goal (like being a hairdresser or shoe salesman.) Part of the satire depends for its humor upon generalities, such as "All middle eastern people sell cheap electronics," and "Israelis value aggressiveness," and "All older women miss their attractiveness," etc. These generalities chaff people (both those included in the generality and those who don't like to see others chaffed.)
EFFECT ON ME: It had a mixed effect. I like the bravery of a film to come out against popular belief and say that peace is possible, but I felt disrepected as an audience. (In other words, in this day and age, there are those who get others to think that to be cool, audiences have to like perversion and grossness, so they ladle it on, despite the fact that such perversion and distortion of truth is spiritually and morally injurious to the audience.) There is a taboo in our society (partly political correctness, partly fear of actual threat, partly destruction of religion, partly bad market research, partly evil agenda of the few) against forthright support of positive things and against saying some things are bad and wrong. Satire and exaggeration enables a moviemaker to get around the taboos, but, it can become so dominant as to overshadow the message, at which point I became insulted. The movie is being played to an audience and that movie says, "I know you, you're a spiritual being who values love and peace, but you're also in a body, and you have hang-ups, so I'm going to communicate the message to you via your hang-ups. Pardon me while I step on your toes, indicate things about you that aren't so, insult your intelligence and treat you as though you are merely a higher form of animal." Too much satire is force, and audiences need a balance of force and intelligence. It's like being slapped, then being handed the birthday gift you always wanted. Or, it's like, "Let's beat them up until they decide that world peace is a good thing." If "it's all in the execution," let's not execute the audience.
Sincerely,
Becky Mate
Script Consultant
www.virtueinthearts.com

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